Both vocally and rhythmically they developed a “sauce” of Caribbean songs

Both vocally and rhythmically they developed a “sauce” of Caribbean songs

Puerto Rico have its very own customs of “bomba” and “plena”, that percussionist Rafael Cortijo, commander of a conjunto since 1954, got included trumpets and saxophones (El Bombon De Elena). His conjunto and his husky vocalist Ismael Rivera (El Nazareno, Quitate de la thru Perico), notorious for your improvised call-and-response vocals of “sonero” heritage, harked back into the African origins of Caribbean songs without any difference between designs. El Gran Combo, created by pianist Rafael Ithier, proceeded Cortijo’s mission in a lighter vein, with La Muerte (1962) and Ojos Chinos (1964).

In Puerto Rico salsa can also be named “guaguanco”, a phrase that initially described a type of rumba dancing

Inside 1960s, the bomba-son crossbreed attained the Puertorican nest in New York. Here, the boy adopted the format with the big band, such as Jimmy Sabater’s Salsa y Bembe (1962) and vibraphonist Cal Tjader’s Salsa del Alma (1964).

The Cuban expatriates that relocated in New York added greatly for the absorption with the genre inside US culture: vocalist Celia Cruz (Burundanaga, 1956; Yerbero Moderno, 1956), flutist Jose-Antonio Fajardo (Los Angeles Charanga), jazzy congueros Candido Camero and Ramon “Mongo” Santamaria (Mazacote, 1958; Afro Blue, 1959; Herbie Hancock’s Watermelon people, 1963), violinist Felix “Pupi” Legarreta, just who fused charanga and jazz on Salsa aria, which arrived in nyc in 1950, compensated tribute to his Cuban sources on Yambu (1958) and Mongo (1959), which were carried out along with other Latin percussionists.

The advancement of daughter continued in ny via Dominican flutist Johnny Pacheco, leader with the quintessential charanga (featuring performer Pete “El Conde” Rodriguez) but in addition the frontrunner of this “Africanization” of this charanga (arrangements simply for trumpets, cello and percussion), ny’s pianist Charlie http://www.datingmentor.org/escort/ann-arbor/ Palmieri, which established in 1959 the influential charanga Duboney (four violins and Pacheco on flute), nyc’s pianist Eddie Palmieri, exactly who in 1962 developed “trombanga”, a sound based on two trombones and a flute (in substitute for the charanga noise), ny’s percussionist Ernesto “Tito” Puente (Oye Como Va, 1962), ny’s drummer Ray Barretto, just who experimented with flow’n’blues and jazz, Puertorican bongo pro Roberto Roena (Mi Desengano, 1976). They all entered over into jazz and flow’n’blues. Notable albums integrate Puente’s dancing Mania (1958), Pablo “Tito” Rodriguez’s West part defeat (1961), Bobby Valentin’s Ritmo Pa Goza (1966), Eddie Palmieri’s Lo los cuales Traigo Es Sabroso (1964) and Superimposition (1969), Barretto’s Acid (1967) as well as the content (1972), Cortijo’s Maquina de Tiempo (1974). Latin nyc additionally produced the boogaloo, a fusion of black heart music and the Cuban mambo, such as Eddie Palmieri’s Ay Qye Rico (1968). Unique York-born Willie Colon, originally a trombonist, was actually the very first significant Puertorican celebrity, their orchestra and his awesome artist Hector Lavoe able to records particularly El Malo (1967) and El Bueno, El Malo y El Feo (1975), form classics Che Che Cole (1969) and Gitana (1984).

A vital event in 1967 had been the meeting between Puertorican vocalist Ismael Miranda (then nonetheless a teenager) and orchestra of brand new York’s pianist Larry Harlow, better documented on Abran Paso (1970). They revitalized the CUban sounds when it comes down to market of rock music.

Salsa

In 1973 the North-American child ended up being rebranded “salsa” for a tv unique (by Izzy Sanabria of Fania information, roughly the same as Motown for Latin songs). Larry Harlow’s band rediscovered the fusion of charanga violins and conjunto trumpets (with the help of electric products) on his milestone recording Salsa (1974) with vocalist Junior Gonzalez. The 1976 performance “Salsa” planned in nyc by tag Fania founded the craze nation-wide. From inside the seventies, the key facilities for salsa comprise New York, Miami, and Colombia.

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